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A History of Horrors: The Rise and Fall of the House of Hammer

enhaam Then higher, lkcal, higher, until—silence! It had been only the fourth film for Michael Carreras as producer, but with its story of a scientist who clones the woman he loves, its Metropolisinspired laboratory, and its fiery climax, it was uncannily precognitive of the Gothic alchemy to come. Tony Hinds was alert to the shortcomings: Hammer was the first domestic producer to secure such a guarantee. A coproduction deal was struck, and the film in question became Crime Reporter, which was followed in quick succession by another of the same—River Patrol.

InCarreras attained the post of chief barker, and he would become president of Variety Club International seven years later the first to serve two terms.

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